Response: Vehicular traffic

Research output: Contribution to journalReview articlepeer-review

1 Scopus citations

Abstract

Williams's response to Chandler understands the paradigm of the vehicle historically in terms of a new account of the emotions, one that moves away from transcendence and metaphor towards transport and metonymy. The paper builds on the theme of the displaced, wordlessness of the emotions as a way of reading nineteenth-century melodrama, a precinematic idiom that anticipated modern 'conveyances' of mute emotion such as the freeze frame. Melodrama's implementation of tableau and music thus comes to constitute a language of emotion that is able to convey unrepresentable feeling by displacement, externalizing it as a subject for critical perception and reading.

Original languageEnglish (US)
Pages (from-to)47-54
Number of pages8
JournalTextual Practice
Volume22
Issue number1
DOIs
StatePublished - 2008

ASJC Scopus subject areas

  • Literature and Literary Theory

Keywords

  • Language of emotion
  • Melodrama
  • Metaphor
  • Metonymy
  • Music
  • Tableau

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