Abstract
The concept of appeal functions as a central tool in the practice of contemporary readers’ advisory (RA). “Appeal terminology” has been used systematically to enhance plot descriptions and bibliographic records since Joyce Saricks and Nancy Brown first introduced the concept in 1989. However, despite its prevalence in RA education and service, appeal has been criticized for its lack of conceptual specificity; an important objection is that we cannot reliably distinguish appeal terms from subject headings and genre categories. In contrast, I believe that there is a defensible distinction between Saricks and Brown’s original account of appeal and other bibliographic descriptors, one that licenses the former’s privileged position in RA practice. To demonstrate this, I provide a rehabilitative account of the appeal/not-appeal distinction, which I understand as tracking the delineation between aesthetic and nonaesthetic features of literary works of art, respectively.
| Original language | American English |
|---|---|
| Pages (from-to) | 405-418 |
| Number of pages | 14 |
| Journal | Library Quarterly |
| Volume | 92 |
| Issue number | 4 |
| DOIs | |
| State | Published - Oct 2022 |
ASJC Scopus subject areas
- Library and Information Sciences